|Strait, imitating Robert Johnson's tombstone picture, at one of the "King of the Delta Blues'" three gravesites. A visit to the site is part of the field trip's itinerary.|
It is said that Robert Johnson was a marginal guitarist at best until the night he went to the crossroads near Dockery’s plantation.
By the light of the full moon, the devil shows up, tunes Johnson’s guitar for the price of his soul, and Johnson emerges, king of the Delta Blues.
“He’s sort of perceived to be this really significant person, largely because he was mysterious and unknown,” said John Strait, assistant professor of geography. “I think a reason that a lot of people are into the blues is because it’s this dark, mysterious, other kind of music that seems far removed from us.”
One of Johnson’s three gravesites and Dockery farms are among the many stops in learning the geography of the blues for one of Strait’s classes.
The difference between the independent study course (Geography 475) and other geography classes: you literally stop, because the class takes place on the road during a five-day field trip.
For the second year, Strait’s “Race, Blues, Rock ‘N Roll and the Geography of the Mississippi Delta” class will travel through Tennessee and Mississippi, departing May 18, to discuss emerging topics in geography.
At first glance, there may not seem like much of a correlation between the blues and geography, but to Strait, it’s all about perception.
“The thing about being a geographer is that the discipline is not specific to any thing. Most subject matters can be understood geographically, spatially,” he said. “For my selfish point of view, it’s the perfect thing for me. If there’s something I’m interested in, I can incorporate it educationally, both as a means to foster learning but also as a means to allow me to engage in something I’m very interested in.”
For the class, the blues is used “as a lens to understand the cultural geography of the south, specifically, but in some regards, the entire U.S.,” he said.
Civil rights, tourism and the use of musical heritage, urban revitalization, migration, economic change, racial segregation and how history is written: all of these things can be understood geographically, Strait said.
For example, the Mississippi Delta embraces the notion of heritage tourism by utilizing “The Blues” label for its museums, “some of which are funded by the Smithsonian; some of which are mom-and-pop type places,” while other places have used recording studios and museums to essentially revitalize neighborhoods, Strait said.
The evolution of the blues itself also reflects changes in history, as “the people playing it, listening to it and consuming it transitioned from a rural life to an urban life,” Strait said.
“The blues in Chicago sounds very different—different themes are discussed, it sounds different, played in different types of places—than you would have seen in the Mississippi Delta in the 1930s,” he said.
“In viewing the music as it evolves, you are getting a reflection of the geographical change,” Strait said. “Even if that implies that people in the Mississippi Delta are playing blues in the 1930s that are talking about picking cotton and these kinds of things, 20 years later you have people out in Chicago talking about working in a factory or elevators, telephones, street lights, things that were part of the urban experience that wouldn’t necessarily be discussed a lot in rural blues.”
Among the places Strait will use to demonstrate these topics are Graceland, “the Mecca of American Culture;” the Sun Records Studios, where musicians such as Elvis, Johnny Cash and even U2 have recorded; and Po’ Monkey’s Lounge, which “claims to be one of the last remaining juke joints” and has been featured on the “Today” show.
|Strait and geography professor Jim Tiller (on right) stand with Po' Monkey's Lounge owner Willie Seaberry.|
“It’s an old sharecroppers cabin that’s been reconverted into a club,” Strait said. “The owner of the place has been working on this plantation—it’s not called a plantation now but it was—since he was a little kid, so we’ll get to talk to him about what it was like there in 1930 and what was happening with people moving to Chicago.”
He will also take students to the Fitzgerald’s Casino and Hotel, built in a region that was “predominantly cotton agriculture and was historically very, very poor.
“Now there is this county there that officially has no poverty; there is no one that lives below the poverty line because of these casinos that come in,” Strait said. “So essentially you’re talking about a region whose economy has gone from being very agricultural to being heritage tourism and casinos as the backbone of the economy.”
Students will also hear from an individual engaged in registering people to vote in the 1960s, who will discuss their use of music to organize and even raise money for their efforts, as well as an ex-sheriff who arrested him for trying to register people to vote.
“They’ll essentially get direct experience with people who were involved in things you learn about in books, but there’s another level of education that goes into talking to somebody about that, I think,” he said.
As part of the coursework, students will have reading packets and will be divided into pairs to document their trip and how it fits into one of the geographic themes. Students will present the work when they return to Huntsville.
Though this is his second time taking the field trip at SHSU, he has also directed the trip four times at Louisiana Tech, where he taught for three years, including twice as a workshop for public school teachers to help them design their geography curriculum, and also for the American Association of Geographers.
“Race, Blues, Rock ‘N Roll and the Geography of the Mississippi Delta” will be offered as a first summer session course for one to three credit hours, even though the trip will be over before the session begins.
Students will be required to pay tuition, as well as accommodations and food, which Strait estimates to be less than $300.
Those interested in signing up should contact Strait at email@example.com or 936.294.4077.
- END -
This page maintained by SHSU's Communications Office
Director: Bruce Erickson
Assistant Director: Julia May
Writer: Jennifer Gauntt
Located in the 115 Administration Building
Telephone: 936.294.1836; Fax: 936.294.1834
Please send comments, corrections, news tips to Today@Sam.edu.
Brian Domitrovic, assistant professor of history, appeared on Book TV (C-SPAN) May 1-2, speaking about his recent book "Econoclasts: The Rebels Sparked the Supply Side Revolution and Restored American Prosperity" (www.econoclasts.net).
Houston Chronicle education writer Jeannie Kever recently turned to Regents Professor of English Paul Ruffin for his views on university presses moving toward "digital books" as opposed to traditional ink-on-paper."We're fulfilling the ancient role of the university press, and that is to produce books," said Paul Ruffin, the Texas poet laureate for 2009 and director of the Texas Review Press at Sam Houston State University. "I don't want to give up the book because it is an art."
Monday, May 3
Tuesday, May 4
"The measure of a Life is its Service."