| t h e c l a s s i c s p a g e s | |||
| r e a d i n g l a t i n p o e t r y | |||
Reading Latin poetry aloud : metre and scansion.To hear the Latin, you will need to have the RealAudio plugin. If you don't have it, clicking on the "ear" icon will give you a chance to download it. It only takes a few minutes. | ||
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"Feet"The basic unit of poetry is called a "foot" - this was originally a
measure (Greek metron) of the time it takes to raise one foot in
dancing or marching and put it down again. It's similar to a bar in music,
or the off-beat + the on-beat in jazz and rock. By definition, therefore ,
a foot has two equal parts (equal in time, that is). Lifting the foot up
(which the Greeks called arsis, and thumping it down
again (which they called thesis). A foot consists of
arsis (one long syllable, usually) followed by thesis
(another long syllable, or possibly two short ones making up the same
amount of time). The foot | |
"Lines"The dancing would have been accompanied by music, and the music could of course have been the human voice. The dancers keep "in time" with the music, which is divided into a number of "feet" - during each of which the dancers raise and lowere a foot. But although music supplied by instruments can be continuous, a singer has to breathe! Thus the song/poem tended to be split up into equal chunks allowing the singer to take breaths at regular intervals. This is the origin of the line (which of course only became an actual line much later when a poem could be reproduced in writing). Frequently there's a missing bit of the last foot of a line (see hexameter), corresponding to the point where the breath was taken. Most lines also containned a subsidiary pause about halfway through, where the singer could take a short breath - thus a line of verse can be "cut" into two sections - the place where the cut happened was called the caesura (Latin for cutting). |
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The Hexameter | ||
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The line used by Homer and the Greek epic poets was adapted by the
Romans. It has 6 (Greek hex) metra, or feet, usually a
mixture of dactyls and spondees. Click on the ear icon to hear the sound!
The first line, about horses galloping, has an unusual preponderance of
dactyls, while the second is nearly all spondees, giving a very slow and
solemn effect. After listening to these, you'll appreciate why Virgil
normally prefers a fluid mixture of the two types of feet. Every line,
however will always end with the pattern | ||
The Elegiac Couplet |
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The Elegiac couplet, first used by the Greeks for epitaphs or short pithy utterances. The phrase "one-liner" would be appropriate, but it's always two lines! The first line is a hexameter, the second line is a pentameter .It is always printed with the second line indented. Its standard layout is |
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The first two feet can be spondees as well as dactyls, but the rest of the line never varies (except that the very last syllable can be short). : |
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| nulli | | se di-| | cit // muli-| | er mea | | nubere | | malle | ||
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| quam mihi, | | non si | | se // | Iuppiter| | ipse pe- | | tat. | ||
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The Classics Pages are written and designed by Andrew Wilson.