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Institution |
Year |
Degree |
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Louisiana State University, |
December 2002 |
Ph.D., Composition and Music Theory |
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Louisiana State University, |
August 1994 |
M. M., Composition |
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|
Loyola University, |
May 1990 |
B. M., Theory and Composition cum Laude |
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|
Institution |
Year |
Job Title |
|
|
Aug. 2001-present |
Visiting Assistant Professor in Music Theory and Composition |
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Jan 2000-Aug. 2001 |
Visiting Lecturer in Music Theory and Composition |
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Fall 1999 |
Visiting Professor of Music Theory and Composition |
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1997-1998 |
Adjunct Instructor of Music Theory and Composition |
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1995-1998 |
Graduate Assistant Instructor of Music Theory and Aural Skills |
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| Graduate Seminar: Music of Claude Debussy | Tonal Counterpoint | |
| Graduate Seminar: Song Cycles of Schubert and Schumann | Modal Counterpoint | |
| Graduate Seminar: Beethoven Piano Sonatas | Analysis of Tonal Music | |
| Graduate Seminar: Beethoven Piano Sonatas | Analysis of Twentieth Century Music | |
| Graduate Analysis | Freshman Harmony | |
| Graduate Remedial Theory | Sophomore Harmony | |
| Composition | Fundamentals of Music | |
| Class Composition | Freshman Aural Skills | |
| Electronic Music | Sophomore Aural Skills | |
| Orchestration | Music Appreciation | |
| Computer Literacy for Musicians |
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|
Institution |
Year |
Position |
|
|
Southern University, |
Fall 1995 |
Guest Lecturer: Modal Counterpoint |
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Louisiana State University, |
1991-1992 |
Assistant Recording Engineer |
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|
Louisiana State University, |
1990-1991 |
Assistant Conductor: New Music Ensemble |
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Texas Society for Music Theory 2004 Annual Meeting | |
| Rocky Mountain Society for Music Theory 2001 Meeting Brigham Young University, Provo, Utah, March 9-10, 2001 "Symbolism and Structure in Schoenberg’s Op. 50" |
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| Texas Society for Music Theory/South Central Society for Music Theory 2001 Joint Meeting University of Houston, Houston, Texas, February 23-24, 2001 "Symbolism and Structure in Schoenberg’s Op. 50" |
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| Florida State University Theory Forum Talahassee, Florida, April 10, 1999 "Musical Structure, Text Setting, and Pitch Emphasis in Schoenberg's Dreimal Tausend Jahre Op. 50a" |
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| Texas Society for Music Theory 1998 Annual Meeting Sam Houston State University, Huntsville, Texas, February 28, 1999 "Harmony, Form and Text Setting in Schoenberg's De Profundis Op. 50b" |
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| 35th Annual Contemporary Music Festival Sam Houston State University, Hunstville, Texas, April 25, 1997 "A Harmonic and Formal Analysis of Schoenberg's De Profundis Op. 50b" |
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| SHSU Dance/Music/Theater Faculty Collaborative Performance Huntsville, TX, October 29 & 30, 2004 DiverseWorks Theater, Houston, TX, January 31, 2005 “Return to the Land” |
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| 41st Annual Festival of Contemporary Music Sam Houston State University Huntsville, Texas, April 5, 2003 “Vocalise” Computer Music on CD |
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| 40th Annual Festival of Contemporary Music Sam Houston State University Huntsville, Texas April 5, 2002 "Three Songs for a Day" for soprano and piano |
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| Society of Composers, Inc. Region VII Conference Arizona State University Graduate Wind Quintet Tempe, Arizona, April 6, 2001 "Essay" for Woodwind Quintet |
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| Arizona State New Music Ensemble Katzin Concert Hall, Arizona State University Tempe, Arizona, December 2, 2000 "Blues Duet" for two pianos |
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| National Association of Composers (USA) Mid-South Regional Chapter Baton Rouge Gallery - Sundays at 7 Concert Series Baton Rouge, Louisiana, November 1998 "Study" for solo bassoon |
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| Red Stick Saxophone Quartet Baton Rouge Gallery - Sundays at 7 Concert Series Baton Rouge, Louisiana, April 1998 "Piece" for baritone saxophone |
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| High Voltage Electro-Acoustic Concert Series LSU Recital Hall Baton Rouge, Louisiana, September 1997 "Broken Beauty" for tape alone |
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| Visiting Faculty Recital Stephen and Eleanor Brown, Murray State University LSU Recital Hall, August 1997 "Blues Duet" for two pianos |
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| 52nd Annual Festival of Contemporary Music Louisiana State University Baton Rouge, Louisiana, February 1997 "Woodwind Quartet" |
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| Musique Nouvelle Concert Series University of Southwestern Louisiana Lafayette, Louisiana, April 1995 "Sonata" for Oboe and Piano |
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| Contemporary Music Concert Nicholls State University Thibodaux, Louisiana, March 1995 "Sonata" for oboe and piano |
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| 50th Annual Festival of Contemporary Music Louisiana State University Baton Rouge, Louisiana, February 1995 "Kyrie from Mass for Modern Times" for choir and chamber orchestra |
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| Public Radio Broadcast WRKF 89.3 FM Baton Rouge, Louisiana, April 1991 "Rhapsody" for chamber orchestra |
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| Digital Performer (MIDI sequencing and digital audio) | |
| Csound (software based synthesis) | |
| Max/MSP (interactive MIDI/digital audio/multimedia programming language) | |
| Pluggo (audio effects processing plug-ins) | |
| Unisyn (synthesizer patch editor/librarian/ | |
| Finale (music notation) |
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| Sacred Heart Catholic Church, Conroe, Texas Youth Ministry Music Director |
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| Our Lady of Divine Providence Catholic Church, Metairie, Louisiana, 1999 Music Director/Choir Director |
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| Music Copyist (Finale), 1995-1998 | |
| St. Isidore Catholic Church, Baker, Louisiana, 1995-1999 Cantor/Soloist/Guitar |
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| Most Blessed Sacrament Catholic Church, Baton Rouge, Louisiana, 1998-1999 Cantor/Section Leader/Guitar/Bass |
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| College Music Society | |
| Society for Music Theory | |
| ASCAP | |
| Society for Electro-Acoustic Music in the US (SEAMUS) | |
| National Association of Composers USA (NACUSA) 1996-1997 Mid-South Regional Chapter President |
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